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Showing posts from January, 2023

PATHAAN DAY 5 BOX OFFICE COLLECTION !!!!

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  PATHAAN DAY 5 BOX OFFICE COLLECTION WORLDWIDE & BUDGET  January 30, 2023    Shahrukh Khan, Deepika Padukone, and John Abraham starrer Pathaan Day 5 Box Office Collection saw a jump on Sunday as per producers as it has crossed 500 Crores worldwide and is  now 13th Highest grossing Indian Movie of all time  in just 5 days and 10th on the Hindi  100 crore club list . PATHAAN DAY 5 BOX OFFICE COLLECTION 62 to 64 Crore net all languages estimate Producer Figure 60 to 62 Crore net Hindi estimate 59.6 Crore net India all languages Trade figure PATHAAN TOTAL TILL NOW BOX OFFICE COLLECTION 282 to 284 Crore net India all languages Producer Figure 268.36 Crore net India all languages Trade figure Break up so far 212.5 Crore net Hindi Producer Figure for 4 days 7.5 Crore Tamil + Telugu Producer Figure for 4 days PATHAAN WORLDWIDE BOX OFFICE COLLECTION Worldwide: 540 to 550 Crore gross 429 Crore gross for 4 days Producer Figure PATHAAN OVERSEAS BOX OFFICE COLLECTION For 5 days 25 Million or R

Love, Death & Robots Volume 2 Review :

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If you’ve been eagerly waiting for  Love, Death & Robots Volume 2  ever since its announcement (like me), it’s finally here! It’s a shorter anthology this time with only 8 episodes as opposed to 18 in the previous season. It’s dark, strange, and uncomfortable in some places, which is precisely what I expect from this series. Now, if you’ve already watched it or are planning to watch it, here’s my Love, Death & Robots Season 2 review where I share my thoughts about this amazing animated show. Love , Death & Robots Volume 2 Review The 8 episodes in Love, Death & Robots Season 2 are: Automated Customer Service Ice Pop Squad Snow in the Desert The Tall Grass All Through The House Life Hutch The Drowned Giant The show promises Love, Death & Robots but a few episodes didn’t have it all. But that’s okay if the stories are amazing, which unfortunately is not the case here. While watching S2, I ended up comparing the stories to those in Volume 1 which were piteous and thou

Avatar: The Way of Water review: Beautifully Basic

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Avatar : The Way of Water review: Beautifully Basic Avatar: The Way of Water “Avatar: The Way of Water ups the ante visually but still puts spectacle over story.” Pros Gorgeous visuals and visual effects Exceptional use of 3D Easy to get immersed in its world Cons Messy narrative Hollow characters Lacks dramatic weight When James Cameron’s  Avatar  was first released in theaters, the  Marvel Cinematic Universe  was a mere two films. Christopher Nolan was the king of superhero cinema, and neither Lucasfilm nor Marvel had become Disney brands yet. At that point, there really had been nothing quite like  Avatar ‘s groundbreaking visual effects and the blend of performance capture and 3D filmmaking that delivered a simultaneously immersive and wonderfully alien experience. CONTENTS Back to Pandora Visionary visuals Stuck on story Sticking with what works It was a very different time in Hollywood and one that feels incredibly distant now. We’ve come a long way since 2009, and a lot has cha

‘Love, Death & Robots’ Review Volume 1: David Fincher and Tim Miller’s Netflix Shorts Are One-Dimensional Beauty

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  ‘Love, Death & Robots’ Review Volume 1: David Fincher and Tim Miller’s Netflix Shorts Are One-Dimensional Beauty Too often hyper-masculine and half-baked, the Netflix series offers distinct visual styles that need more substance. “Love, Death & Robots” Good ideas wasted are often more infuriating than no idea at all. Such is the case with Tim Miller and David Fincher’s series of animated short films, “Love, Death & Robots,” a project conceived with broad ambition and executed with a maddeningly narrow perspective. Uniting animators from around the world for 18 standalone stories of various self-determined lengths, the  Netflix  offering intends to be a “global celebration” of the craft. While there’s a lot to admire in the visuals — each distinct to their episode, with an enticing range of styles on display — the stories themselves are treated like an afterthought, and that colors everything an ugly shade of gray. Only one-third of the first season was screened in Austin